Publishing FAQ’s What Authors Need to Know
Thinking About Publishing a Book?
Every week, writers ask me the same questions about publishing.
Here are clear, direct answers.
If you’re serious about publishing, start here.
I’m Emily Barrosse, founder of Bold Story Press. Before launching the press, I spent more than 35 years in publishing, including serving as Vice President and Editor in Chief at McGraw Hill.
The Questions Writers Ask Most
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For most adult fiction, the standard range is 70,000–100,000 words.
If you’re writing literary fiction, commercial fiction, romance, or general fiction, this is the range agents and publishers expect.
Why does length matter?
Because publishing is both creative and commercial.
A manuscript that is too short (under 60,000 words) often reads more like a novella. It can feel underdeveloped, and it can be difficult to price and position in the marketplace. Readers sometimes feel cheated if it is not comparable in length to other books they have bought.
A manuscript that is too long (over 100,000 words), especially for a debut author, is more expensive to print, harder to edit, and riskier for a publisher to acquire. Long books aren’t impossible — but they must earn their length.
There are genre exceptions:
• Epic fantasy and some science fiction often run 100,000–130,000 words.
• Historical fiction can exceed 110,000 words.
• Young adult typically lands between 50,000–80,000 words.
• Middle grade is often shorter still.But even within these categories, discipline matters. Word count is rarely arbitrary.
Length isn’t about squeezing your story into a box. It’s about understanding market expectations and making strategic decisions.
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Most writers ask this when they think they are finished.
Finished is not the same as ready.
A manuscript is ready when the story works structurally and emotionally. That means the plot intentionally builds to a resolution. The middle doesn’t sag, and the ending feels earned. The characters are fully developed and they behave in ways that serve the story.
Can you explain the core conflict in one clear sentence? Do you know why the midpoint matters in your book?
Submitting too early can close doors. Publishing is competitive, and once a reader forms an opinion of your work, it can be very difficult to reverse it.
If you’re not sure, get an objective assessment before you submit. Clarity at this stage is not optional. It is critical to success.
Publishing is Both Art and Strategy
A strong story is essential.
But, so is timing, positioning, and market awareness. If you want your book to stand out — and stand the test of time — we’re here to help.
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The honest answer: longer than you think, and that's a good thing. At Bold Story Press/Xander Press, the publishing process typically takes 12 to 18 months from signed contract to publication day. That timeline often includes developmental editing, copyediting, proofreading, cover design, interior layout, and the pre-publication marketing and promotion work.
Rushing a book to market is one of the most common — and costly — mistakes an author can make. We build in the time each book needs.
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There isn’t any need to copyright your manuscript prior to sharing it with others.
You actually own the copyright the moment you write it — no registration required. That said, registering your copyright with the U.S. Copyright Office (copyright.gov) before publication gives you stronger legal protection if you ever need to enforce your rights in court.
For most authors working with a reputable publisher, the bigger protection is choosing who you share your manuscript with carefully. We treat every submission with strict confidentiality.
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The manuscripts that always grab our attention share a few things in common — and surprisingly, perfect prose isn't always at the top of the list.
First, a clear and compelling premise. We need to understand immediately what the book is, who it's for, and why it matters now. If you can't explain your book in two sentences, that's a signal the story concept may need more work.
Second, a distinct voice. Readers don't just buy books — they buy the experience of being inside someone's perspective for hours. Voice is what makes a manuscript feel alive on the page, and it's the hardest thing to teach.
Third, emotional truth. This is especially important for memoir and narrative nonfiction. Readers can feel when an author is holding back or performing. The manuscripts that move us are the ones where the author was willing to go to the uncomfortable places.
Fourth, a defined target market. "Everyone will love this book" is a red flag. The authors who've done their homework know exactly who their reader is — and that specificity can have a huge impact on a book's success rather than limiting it.
And finally, an author who is invested in the book's success. A great manuscript from someone who disappears after signing is harder to champion than a good manuscript from someone who wants to share the passion they feel about their work, and treats publication as a partnership.
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All authors market their books — even those published by the Big Five. The question isn't whether you'll be involved, it's how well-prepared and supported you'll be.
At Bold Story Press/Xander Press, we provide a comprehensive marketing plan and handle many of the heavy-lifting elements: Amazon optimization, press kit materials, Facebook ads, and a custom launch strategy.
But your network, your platform, and your willingness to show up for your book matter enormously. The authors who sell the most books are the ones who are genuinely excited to talk about them. We help you do that with confidence.
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In traditional publishing, an advance is money paid upfront against future royalties — meaning you don't earn additional royalty income until your book "earns out" that advance, (think of it as an interest-free loan).
Also in traditional publishing, royalty rates typically range from 8% to 15% of net sales depending on format, and most traditionally published books never fully earn out. At Bold Story Press/Xander Press, our hybrid model works differently: authors invest in professional publishing services and in return receive significantly higher royalty rates — often 60% to 70% of net revenue — and they keep creative control.
You know exactly what you're getting, and you actually see royalty income.